Monday, March 30, 2015

Comeback Kid: The Schlockaissance

My MacBook is fritzing. As in, is about to be on the fritz, any moment now, sayonara, but still has a modicum of fight in its tiny coils, its overtaxed intricacies, and therefore its state is a participle and rather than a euphemistic prepositional phrase. For awhile the laptop had been in decline, losing its spryness, subject to random but increasingly frequent attacks of the "spinning beach ball of death"and requiring a force-quit and some "smh"ing on my part (as the kids say these days). But then. Then I went to a coffeeshop in the hinterlands of Crooklyn (where irony has not yet extended, and instead there is just Eurotrash) and that was where it all went down, the last straw that broke the nail in the camel's coffin of the MacBook, or at least incepted the fritzing, which is now in progress, which you know from my participial phraseology.

Here's the story: so I was way far out in that crooked borough-- you know the one--  and I had some time to kill between a teaching gig and an interview for another teaching gig. I sought refuge in an establishment called the MochaLatteChino Coffee Shop* WHICH SHOULD HAVE BEEN a surefire sign that nothing good would happen inside of those doors. But I happen to like mochas and lattes and (cappu)chinos individually (even if lumped together such caffeine-morphemes produce a vaguely racist-sounding neologism). So I went in. I ordered the second kind of coffee beverage contained in the name of the place. I sat down near the window. From my bag I extracted my glitchy but steadfast portable computer companion, and pondered all of the unfinished projects and broken dreams therein. I resolved to tackle a percentage of a percentage of one. Then I saw that my battery charge was also at a percentage of a percentage of one. I surveyed the perimeter of the room and, seeing no outlet, asked a barista, who feinted to lead me somewhere but then was summoned by her Balkans-ish alpha-seeming boss dude and wordlessly pivoted and left me in the corner, bereft of oases for my electronics. Another employee flatly informed me that there were no outlets in the building. NO OUTLETS? I was incensed: what the FUCK kind of self-respecting coffee-specializing small business with purported free wifi would unapologetically deny its customers a chance to tank up their devices? ("No Outlets: An Existential Tale for the Digital Age.") The whole point of a coffee shop is to buy a beverage and stare at a screen! This is the TWENTY-FIRST century, betches: the coffeehouse culture of yore, the electric intellectual foment, the meet-cute potentiality, the community-center proxydom, all have given way to the New World Order, which is that I want to drink my Frankenlatte in peace and not talk to anyone and pretend to be writerly for a few minutes before zoning out to social media, as also seen in My Living Room and My Bedroom, where coincidentally there are also some FUCKING OUTLETS so that I can charge my junk. Christ on a Cracker.

(* name of coffeeshop has been changed, slightly, to sound more generic and more racist)

And then I swiveled my head and saw, by the front door, next to a pile of three sandbags, a perfectly functional electrical outlet. The lying liars had lied. I made a beeline for the entryway and plugged in my poor oxygen-deprived baby and placed her lovingly on the sandbag pillow (how thoughtful of the owners) and retreated to my window-side table to sip and wait. At which point the Balkansian head-dude-in-charge, flanked by his sullen baristas, emerged irate from behind the counter to tell me that my computer was in a highly visible and trafficked space in the cafe and that I was "free" to leave it there but that they would incur no responsibilities if the laptop were to be stolen or damaged. I spat back that WELL then they shouldn't have placed the shop's single outlet in the most useless place imaginable, and that I would keep my property within my field of vision at all times and that I would maul any degenerate attempting to abscond with my Preciousssss I mean my horcrux I mean my Schnapple Product.

That shut them up. I waited for the charge to take effect, never letting the laptop out of my sight, and when enough time had passed, I stalked performatively across the room and tenderly scooped it up, giving the staff a sassy velociraptor head-swivel as if to say "look who's not damaged! look who survived because she has a mama bear who will bat for her in this broken world of obstructioners and nonbelievers!" and I stalked performatively back to the windowside table, and performatively opened the laptop (43% charged, robust and healthy) and performatively touched my fingertips together, Mr. Burns-style, in search of the ideal writerly enterprise. Schoolwork? You jest. Resuscitation of neglected friendships via the emailz? No, I was too prickly a creature at the moment. Schlock-Blog? ... hold up, that could be just the thing.

(....But but but I don't do that anymore, the era is passed, I peaked and all further attempts to write have fizzled because of I don't even know exactly what, the self-inflicted pressure, the perfectionism, the real-life-actually-getting-better and necessitating less escapism, the natural turning-inward that came with being in a sustained, functional relationship with a human male, the slightest incipient inkling of distaste for exhibitionism [lulznotreally], the sense that I should be writing Stuff of Substance instead of dicking around, the sense that maybe I could still dick around but that I should at least get paid for it, the fact that with these new perceived pressures I didn't write anything-- of a dicking or non-dicking nature-- at all, and then, of course, the onset of my old friend Inertia. Oh it's nigh impossible to do something when you haven't been doing it. It takes phenomenal energy to spark a beginning; an object not in motion will never be in motion unless acted on by outside forces, etcetera etcetera, but now I'm suddenly feeling like there are some EXTREME outside forces in this coffee shop that are pissing me off to such an extent that the only possible course of action, according to the laws of physic, would be to... blog it. The Blog Bang. The Big Blog. The Bling Bong. Okay. Okay. OKAY!!!)

The momentous decision made, I moseyed to the internet to log into Blogger. Only-- the internet did not mosey me halfway. In fact, it seemed to function according to the principles of the coffee shop's staff. It hovered. It pretended to load, but did not. It deceived me. I tried again. It lied, again.

At this point I wasn't exactly in a position to ask anyone for assistance, having alienated the locals with my swag and 'tude. Bah. I would have to take matters into my own hand. Perhaps my window seat was too peripheral, just outside the wifi dome, excluded from the kingdom of heaven. I headed to a more centrally-located table, Javacioppino in hand, and placed the computer on the table and then the drink and then NOOOOOOOOO switch to SLOW-MO and THE PRESENT TENSE AAAAAAH one leg of the table is unbalanced GAAAAAH and rickety and OH GOD NOOOOO the styrofoam cup bobbles and a sheen of coffee-milk launches into the air, droplets suspended, a beigey Jackson Pollack at the moment of creation only the canvas happens to be MY POOR COMPUTER OH CRUEL WORLD and I look on, powerless, as the liquid does as liquid does, which is to adapt its shape to immediately available space, of which there is plenty in the crevasses of the keyboard and trackpad NOO in it goes NOOO a force, an inevitability, unintercetptible by my modest human means NOOOOO. FUCK.

.... So it was written: that there would be damage done unto The Precious at the MocachinoHellscape Place. It was as though the owner had foreseen everything when he yelled at me, or-- conspiracy!-- had actually sent out a secret army of diabolical shadow- minions to first knock out the internet and then destabilize the table at which I would inevitably attempt to sit. That would be my luck, to shore up at the one coffee shop in Crooklyn that is in league with the dark arts. (Ha-- "the one," as if-- they all are.)

I sat staring into space for a long moment. Then turned off the computer. Then dampened a paper towel in the bathroom, and came back out and applied it gently to the afflicted areas. Then turned the computer back on. It flickered to life! We were in the clear! But wait-- as I tripped over my proverbial hem to attempt internet access afresh, I ran into... mouse problems. (Not like the mouse problems in my apartment, although those exist too). The cursor would glide o'er the screen as directed, for a time, only to stop and freeze and then change directions for the hell of it, like an ADHD five-year-old tasked with playing the piano. I tried and tried and tried. The mouse/ trackpad seemed to have about a 30% functionality. A get-your-hopes-up only to trample them, very frustrating percentage of functionality.

And in that moment, all I wanted to do was write in my blog. I wanted to relay the ridiculousness and minutiae of my afternoon precisely because my apparatus was compromised, because my freedom-to-relay was snatched away in the instant that a small volume of shitty coffee beverage traced a parabolic path from cup to laptop cranny.

"But Alana, your blog exists on the in-ter-net, so you can access it from any computer." But I've written 90% of the content from this very specific computer! I got it in the summer of 2011 and helmed this Schlockatorium shortly thereafter. They're connected. "But it's just a device, an erstwhile-shiny-currently-dingy white content-delivery system identical to millions of others that were manufactured off of an assembly line of incomprehensible evil." But the soulless thing became my soul-spilling platform! Look at the soul that got spilled. (*Sob* and look at what else got spilled). "But you stopped spilling. You watched a lot of internet TV and bought things on eBay and basically just used your evil device to consume, not create." I know! I'm sorry, I'm sorry. I told you why, a few paragraphs up. I got blocked. I didn't know if anybody wanted to read my shiz. I was happy in real life with a human male. "But the human male loves you and wants to see you create! He wants to be folded quasi-tastefully into your tasteless stories. Your friends have said the same." But they're just being supportive. "So what if they are? Were you ever writing solely for the benefit of others? You derive a fulfillment from it that's all your own."

Fine, fine, I do feel most essentially myself when engaged in the distillation process of life-into-prose. But what then? When have I gotten somewhere, when have I arrived?  "You don't! Or if you do, it's incidental and not the point. Tell me, Alana, you have a piano teacher, right? See-More? The octogenarian?" Yes. Don't try to change the subject. But-- hang on-- how do you know about See-More? "I have my ways. Don't worry about it. Tell me one of the first things that he said to you." Um, that I was sitting too high at the keyboard? "Come on. Stop squirming. The important stuff." Okaaaaay fiiine. He told me that our essence resides in our talent, and that when we neglect our talent, our lives become unbalanced and we go awry. "And what is your talent?" See, that's the thing, I despise the "T" word because I still associate it with 'wasted potential.' A term to be used against me when I have inevitably disappointed. "See-More doesn't think so." Well, yes, he takes a broader view. To him, our talent is not what we excel at, but the truest expression of who we are. "And who are you?" Erm, a person who is her deepest self when concocting a baroque, overblown, and completely unnecessary re-telling of coffee-shop laptop shenanigans as some kind of obtuse and labored metaphor for the re-awakening of the divine creative spark...?

"That's right. You know it. Now go forth and be that self. Your laptop is fritzing: let it be a reminder that tomorrow we shall die. Seize the un-fritzing moments, for they will be few and far between. When the frequency of fritzing becomes unbearable, rely on those around you. Your human male, loving and supportive as he is, will get you an external mouse when he sees your distress: you ought to thank him by writing about him on the internet, because you can, because the external mouse will buy you some time (but still, there's not enough time, it's later than you think). Then you must write about studying Brahms with See-More, and all the rest, the Craigslist couch expedition and the time that you got conscripted as an accompanist for the kiddie CATS community theater production in Blurzy (schlock amber alert! jump on that) and it's not that the public even needs to know, it's not that they crave the scenarios and the specifics, or that you even crave their approval that much, but that you will be your most divine and godly iteration of you when you engage. When you pontificate about CATS and coffee spills. And when you are being you-est, it will radiate outward: an infinitesimal harmonization will occur in the world. But anyway. You need to get your ass out of this Caffechino-Inferno. Give the staff a final stink-eye. Sue them for damages to your laptop. Stalk performatively out the door. And write in your goddam blog, for tomorrow we shall--" Okay. OKAY!! Okay

Wednesday, November 20, 2013

Trystesse, or, Go Go Gadget HokaySchmoopid!

So I have this book that I bought a few years back in Shroomington called You Are Not A Gadget: A Manifesto. It was one of the earlier examples of the jeremiad-genre that critiques the encroaching hegemony of digital technology, its erosion of our essential humanity-- and I started to read the book, I swear, but staring at a printed page for that long was kinda rough so I decided to skim a couple of reviews on Amazon instead and then return to the all-important business of playing Angry Birds and compulsively watching YouTube clips of the 1996 Olympics in Atlanta (remember when Little Dominique sat down those two vaults at the eleventh hour, but Kerri Strug the Underdog rallied like a BOSS and, at great cost to the connective tissue in her right ankle, cinched the gold for 'Murrica? I could watch that moment every day, no joke) and then I moved away from Shroomington to Schmanhattan and packed away the Gadget-volume along with all of my other books and shipped the boxes across state lines and reverently unpacked them and arrayed their contents with great care by genre, color, and height-of-spine all around the living room of my apartment, creating an aesthetically stunning floor-to-ceiling library that I glimpse on occasion out of the corner of my eye while I'm scrolling through Facebook and Twitter.

Anyway, from what I gathered, the Gadget Book mostly concerned itself with the cultural and legal snags of internet anonymity, "open" culture, Wiki-dom, etcetera. Snooze. I had been hoping for a more alarmist anti-Singularity Movement argument, one along the lines of "through excessive exposure to technology, we have 'transcended' our animal weaknesses like empathy / intuition and have restructured our fundamental selves to behave like machines, zipping efficiently and unfeelingly from data point to data point and progressively encoding more and more of our personae into social-media platforms that will long outlast our ephemeral corporeal manifestations. And it's FREAKY." But even though the book gave me less flaming rhetoric than I had hoped for, I still found the title to be somewhat provocative. Of course I'm not a gadget, I thought; I am squishy and asymmetrical and erratic; why would anyone need to remind me of this fact? But then I started to brainstorm the ways in which I am indeed a bit metaphorically gadgety (and so are you!) Think of our figures of speech-- "I'm just wired that way" (said by me when I'm trying to rationalize a personality flaw), "I ought to give my system a rest" (said by me when I'm refusing a tequila shot), "I just need to re-charge for awhile" (said by me when I'm checking out of all adult responsibilities for a spell), etcetera etcetera...

Let's linger on the "charging" idea. We all have our M.O.s for system-maintenance, don't we?-- desperate copious sleep, skittery attention-deficit listicle-prone internet binges, the mainlining of coffee, a big plate of kale (and if kale fails, add bacon... bacon-wrapped kale? What a cosmic clash of yuppie values! the Kalies and the Baconites forced into culinary coexistence-- and the Lion shall lie down with the Lamb, OH DAMN, I think the universe just collapsed). And it also seems that we must occasionally recharge ourselves via intergadgetal interfacing/ intercoursing, and this is a fact that I am loath to admit, because wouldn't it be convenient if we could all just hum along smoothly and autonomously as perfect machines, operating on our reserves of sleep, caffeine, and keep all of the gnarly "inter-" stuff out of the equation? Yet I do seem to require the occasional exchange of electric energy, the sudden flash of mutual delight that can pass between two discrete entities-- if this process doesn't occur often enough, the Master Network of Me starts to shut down. It's very inconvenient. And occasionally I even need to lie proximal to another warm body, preferably a canine one, but a human form will do in a pinch-- the point is, somebody needs to be the charger to my MacBook, the case to my iPhone (the case cups the gadget ever so gently, big-spooning it), or else the MacBook will die, the iPhone will shatter, the gadget will be rendered ineffectual for the truly important things in life, like playing Angry Birds or watching Kerri Strug stick her vault against all odds after Little Dominique almost ruined it for everyone.

THUS I have sought "inter"-relationships from time to time when a boost, a jolt, a "charge" has been especially required, but here's the problem: I have tended to make a hash of things. It all comes down to my somewhat restrictive life circumstances and my inherently fallible selection process. Left to my own devices (ha! "devices"), I have inevitably ended up inter-blanking with three categories of individuals: a) friends, b) "professional" colleagues, or c) the nexus of "a" and "b." At best, such indiscretions ultimately resulted in a small measure of awkwardness and discomfort for at least one of the involved, and at worst they broke my heart caused the microchip-implant in my chest-cavity to short-circuit and as an unfortunate side effect I projected a convincing humanoid simulation of melancholia.

Clearly I was doing something wrong. It hit me one glum and drizzly afternoon last November as I sat at a computer in the PUNY library staring at the screen, pretending to care about an article that claimed that the half-step interval was a signifier for "queerness" in music of the late Middle Ages. Actually, I wasn't even pretending to care. I cared so little that I opened up a new tab on the computer screen and navigated to a popular online dating site, HokaySchmoopid, and started to fill out a personal profile. Here was my sudden epiphany: I was well en route to becoming a gadget, but to really make the leap, to really leave my human failings behind, I needed to reach beyond my given social circle and my faulty, impetuous decision-making... what I needed was an algorithm! Genius! I would just feed some carefully curated personal information into the Machine and it would do the rest, as if I were a medical student being matched to a residency.

And so I inducted myself into the world of internet dating-- in Schmanhattan, no less, the nucleus of hyperconnectivity but also of existential alienation-- and, with this blog post, I am choosing to sacrifice whatever remains of my dignity and disclose some of the choicest encounters of the grand HokaySchmoopid experiment. Now: keep in mind that I am giving you a skewed sample here, and that I managed to have a number of perfectly respectable albeit depressingly sterile interactions with various men-folk from the Tri-State Area; also keep in mind that I am leaving out the "contenders" who never transcended the digital phase because they spammed my inbox-- although some of the messaging actually deserves a mention. See: the guy whose overture to me was "u should smile with your teeth in ur profile pic, it would look better" (textbook example of "negging" right there). Also see: the putatively 61-year-old man who thought it would be a good idea to write, "I want you to play the piano for me naked. Or at least topless." (The second sentence sent me into hysterics because it had such a teenagerish sensibility of "I'll take whatever I can get"-- like the cafeteria boys in Mean Girls who are overheard proclaiming that "it only counts if you saw nipple!"-- kind of like that, but coming from someone who was almost a senior citizen, and by that age one should have the confidence to request complete at-the-keyboard nudity without making any compromises).

ANYWAY, I had gotten into the habit of relaying the more absurd and/ or lascivious happenings of the HokaySchmoopid lifestyle to my friends, and one day a few of them dared me to start an anonymous blog chronicling my tales from the trenches. To which I said, "Um. No, no way. That's not gonna work... I RAISE YOU! HaHAA! I will write and publish these stories on my totally-not-anonymous blog as a service to humanity. Haven't you read You Are Not A Gadget, guys? Clearly our culture of internet anonymity is eroding a sense of personal accountability. It's also degrading general literacy in the population, and it's causing the creative individual to devalue his or her work, to not take credit for it in a sea . Or so said some anonymous reviewer on Amazon, because I didn't actually read the book either. But the POINT is, these are my stories, my intellectual property, or rather anti-intellectual property,  and I gotta own that! And 'that which is most personal is most universal,' as some German poet said one time when he was trying to shill his self-absorption as art-- ERGO, my experiences must be shared in full because they happened to me and to me alone... well, and to some other people who were also involved by default, people whom I will pseudomymize because I'm classy, irrefutably undeniably classy, as you'll see when my stories hit the web..."

I. Niall

I'll begin, however, with a disappointing lack-of-scandal... well, in some ways that's misleading, as this guy turned out to have a slightly scandalous occupation the legality of which I'm still fuzzy on, but I'll get to that in a second-- by un-scandalous I mean that our date was rated G, G as in "Going Nowhere Except Maybe A Side Hug." So, anyway, Niall was one of the first people to message me on HokaySchmoopid. He looked maybe Indian or Pakistani; he had gone to music school in Schlockston and now worked as a freelance composer/ arranger around the city. "My last job," he wrote to me, "was to compose and orchestrate the songs for a new musical called 'Little House on the Ferry.' It premiered on Fire Island last March. It was about gay subcultures-- 'ferry,' 'fairy,' get it? But guess what-- my current job is even more out-there than the musical. It's actually so weird that I can only tell you about it in person."

Well-played. My interest was sufficiently aroused, so we arranged to meet for drinks. The bar of choice boasted a disco ball and a dance floor around which was a ring of posh leather loveseats into which the clientele had burrowed itself awkwardly, smartphones at the ready, because nobody was actually dancing, come on! An ultra-clubby remix of a Katy Perry song pulsed on the speakers (I had not fathomed that Katy Perry's music could be even more auto-tuned than it already was, but the music industry seems to have an asymptote-al relationship with gadgetization, perpetually approaching a complete dehumanization of art and coming ever perilously closer to purging all traces of organic life from a medium that had once been a vibrant celebration thereof-- oh BURN!) Anyway, Niall and I located one another and joined the self-conscious circle of onlookers (who were looking-on nothing, as the dance floor was deserted); we sat a chaste distance apart on the loveseat, cradling our cocktail glasses in front of our vital organs like comfort objects, clinking and dewy.

Conversation started, sputtered, halted, and then again; it became clear pretty quickly that here was a mismatch of energies, that while Niall had come across as sharply articulate in the premeditated medium of HokaySchmoopid communications, in person he was shy and soft-spoken and completely overwhelmed by my gabby intensity, and I started to feel the need to fill up the silences and then I started to feel garish and overwrought as I often do when faced with subtle personalities and there was just this snowball-effect of nervous energy emanating from both sides and no, Niall and I did not have a shining future stretching before us-- we would never graduate to dinner or concertgoing or apple-picking or experimentation with safe-words or whatever. But I still wanted to know about his mysterious gig, the shady means by which he could have ostensibly paid for my vodka tonic had I not headed him off at the pass like the Independent Young Woman that I am. And so I steered the conversation accordingly.

"Okay, are you ready for this," he said with a dearth of rhetorical flourish. "So there's this man, I found him on Craigslist actually, he distributes MP3 files of top-40 songs to Eastern European countries. Justin Bieber, One Direction, Katy Perry, that kind of stuff. But they're not the legit iTunes versions. They're distributed in this interim of time when the songs are on the radio but they're not available for purchase yet." "Oh? So, these are, like, bootleg copies?" I said, still confused as to where Niall fit into the operation. "Actually no," he countered. "Technically they're 'covers' because I make them. All of them, every aspect of them." "Wait, you make, like, a karaoke version?" "No, more like I recreate the whole song from scratch, like, note for note, timbre for timbre. My boss, the guy from Craigslist? He set me up with the software to do it." "Wow, that's kind of incredible, actually-- you must have a good ear and some good transcription skills to be able to reproduce a song so exactly. I mean, I used to teach ear training in music school and occasionally the students would have to transcribe something pop, but, like, just a rough approximation. Not for the purposes of masterful, undetectable, black-marketable forgery, you know? So wait, Niall,  once you've re-done the instrumental tracking, do you get singers to come in and record over it or something? Musical theatre kids trying to get a break in the big city?" "No, I do the singing too. Sometimes multiple tracks for boy bands like One Direction." "But for Katy Perry, Lady Gaga-type stuff, you must bring in--" "Nope! All me."

I looked at him with new respect, this outwardly mousy specimen of a man-boy who, if he was telling the truth, was something of a musical savant and a chameleon. At that moment, a One Direction single came on over the speakers. "Oh, THIS song," I groaned, "the you-don't-know-you're-beautiful piece of sh-- sorry, sorry, Niall, I have PTSD: see, I teach piano to these two Park Avenue private school princesses, because we all have to do a few questionable things to make a buck in this town, you know? And these girls, they're so vapid, they refuse to learn how to read music, so I've compromised and every lesson I teach them how to play a pop song by ear. Taylor Swift, Justin Bieber. Like, one measure at a time. Painstakingly. And they never practice, so I have to re-teach them the same stuff every week, and the girls just look at me like I'm the world's biggest bitch because their mom is making them take lessons to look good on college applications-- oh they don't want to be there with me, learning to play the piano, hell no-- and the family has a penthouse apartment with these big windows, which is just kind of bad because I catch myself contemplating suicide via Park-Avenue-swan-dive pretty much every week when I'm there-- ANYWAY, this shitty One Direction song was the subject of last week's lesson. The anointed, the instrument of torture. Do you KNOW how well I know this song now? We must have played it 700 times on my iPhone, phrase by phrase. Do you know what it's like to go through it one measure at a time? It permeates your soul, I think I dreamed about One Direction this week, and not in a questionable statutory-rapey way, mind you, and--"

"Um, actually," said Niall, cutting me off, "I might know the song as well as you do. I, um, 'produced' it recently for distribution. I have the recording on my phone. Wanna hear?" "Shut UP!" I said delightedly, smacking him on the arm. "Niall! You've been holding out on me! Let me listen to your masterful one-man rendition." He fished out his phone and I put an ear-bud in one ear as he flipped through his files, and he alighted on the proper one, and then suddenly I was immersed in this bizarre sonic universe that was comprised entirely of One Direction-- but it was coming at me from all directions, stereo-style, out-of-sync, a phase-music permutation of British boy-band-dom, except one of the "phasers" was a barely-distinguishable counterfeit, "Un"-Direction. I put in the other ear-bud to assess his rendition independently; then I removed the buds to cross-compare with the original version, the "Ur"-Direction that blared in the club and I repeated the exercise a few times before offering up my opinion. "Niall," I said, "This. Is. Brilliant. You sound practically identical to them. However-- one thing-- it's almost a little too good, like, maybe your rigorous musical training has inadvertenly outclassed these barely-pubesced n00bs. Your vibrato is suspiciously warm and your intonation is too precise in a natural way... so, basically, I might just suggest that you auto-tune the shit out of it next time to be extra convincing. In other news, could you please, please send me the file so that I can work off of it it when I teach the Park Avenue brats and they won't be able to tell that it's a fake and I'll be internally cackling at the deception instead of indulging in suicidal ideation?!"

Niall obliged and pressed "send." We moved onto other topics of conversation, but One Direction had been the obvious set-piece of our evening together, and with that vein exhausted, we were reaching the end of things to talk about. The prophesied awkward-side-hug was imminent. We walked to the subway and took our leave and never spoke again and it was fine. And yet I think of him sometimes when I hear a Top-40 radio-bauble in a department store or a diner or on someone's cheap headphones adjacent to me on the subway-- I imagine that same catchy plasticky jam pulsing away at a Eurotrashy club in the Former Soviet Union and it's actually Niall, it's 100% the work of a shy guy on a laptop in Crooklyn plus some shady Craigslister... and then I fantasize about the two of them expanding their operation to the States, somehow, and scamming the music industry bit by bit from within using Niall's Katy Perry rendition that out-Katy-Perrys Katy Perry...

II. Chip

So Chip was a cellist who lived in the Cronx. (Doesn't that sound like the beginning of a nursery rhyme or a Dr. Seuss book? Well, prepare yourselves for a Totes NSFW Version of Such, tee-hee!) He messaged me last December to see if I wanted to go to a piano trio concert that his friend was a part of, but I wasn't free on that particular night, so our plans took a turn away from the performing arts and toward the food-and-drink. He suggested that I come to an establishment in his neighborhood, and initially I was skeptical (strange neighborhood, strange dude from internet, my momma didn't raise no fool) but I was in a slightly reckless state of mind at that point in time, and besides, I had never been to the Cronx except for this one time when I accidentally got on the D train instead of the A train and didn't realize my mistake until I was at Cranky Stadium, at which point I had to do a funky backtracking maneuver, but I had this kind of mystique about the Cronx, this vast anything-goes tundra like The North Of The Wall where the Wildlings live in Game of Thrones, and here the universe was dropping a Cronxian expedition into my lap (if nothing else) so I acquiesced and made arrangements to meet Chip at a Surf 'n Turf diner.

"Hi Chip, where's Dale?" was my opening gambit, and then I winced and said, "sorry, sorry, bet you've never heard that one before... hi, I'm Alana. Long 'A'." Chip was attractive and fit, in his mid-thirties, with a close-cut crop of curls that were making their way from dark brown to gray. "I've done a bunch of squats today," he said by way of greeting. "Burned off a lot of calories. I could go for some lean protein and some hydration." "Squats, eh?" I said, stifling a snort and reminding myself that said squats were probably instrumental to Chip's fine physique. "Yeah, I do about an hour a day," he said without irony. A waiter came to take our orders (grilled chicken breast for him, veggie burger add cheese for me) and then it was time to get down to business and converse. I felt oddly exposed with only a glass of ice water at hand-- I needed a swig of something edge-effacing, a puff of something judgment-softening, I was not dealing too well with the fluorescent-lit formica-top diner reality and the obvious artifice of our interaction-- but, as he was explaining to me now, Chip didn't do substances, he had been a child prodigy and had also been quite precocious in terms of illicit activities, and had had his fill of both the World Stage and of rampant depravity by the age of eighteen. Now he taught a few students and meditated compulsively. Also squatted.

Our food arrived; my veggie burger had the texture and flavor of smashed peas in patty form under a half-melted thicket of grated cheese. I took a few valiant bites, not wanting to seem too high-maintenance, but then gave up and decided to just chatter aimlessly as Chip equilibrated his electrolytes or whatever via consumption of white meat. We asked for the bill. "Split it?" I offered, but he calculated that the addition of cheese to my veggie burger would have me owing a little more than him so if I could throw it down that would be great, and my inner feminist didn't know what to do because of course as a 21st-century woman I should be able to pay my way and I shouldn't demand special treatment as a helpless pretty princess but COME ON, the hairsplitting of a few bucks' difference makes me think that you're a stingy-ass tool, or else in dire financial straits, in which case you shouldn't attempt dating until you've gotten your shit marginally together or have given up on independent solvency and moved back in with your parents, in which case you also shouldn't attempt dating. So I paid my share of the bill down to the penny, brainstorming exit strategies all the while; we stepped out onto the street with my sad boxed-up veggie-patty carnage.

"Wanna see something cool?" said Chip. I almost started in on my escape-route speech, but then suddenly I couldn't bear the thought of my empty apartment-- how atypically un-misanthropic of me-- and I was in the Cronx, I had come this far, and maybe there was something yet to be salvaged from the evening. "Maybe," I replied to Chip. "What is it, this cool thing that you speak of?" "Just follow me." My momma didn't raise no fool, don't follow a strange man to a strange place-- this refrained through my critical-thinking apparatus, but somehow Chip the squat-happy teetotalling former child prodigy didn't strike me as criminal-minded, and the winter night was bitterly cold, and I just wanted to be moving, preferably towards a heat source. So I followed. We crossed a busy street, walking straight into the wind, and came to an apartment building and entered and took the elevator up to the rooftop. The temperature seemed to have plummeted proportionally with each story that we ascended, but the unimpeded view of Upper Schmanhattan-- the "cool thing" to be seen-- was frostily magnificent (I tried to spot my neighborhood, since we were actually looking at the island from the proper angle). At least, the view was magnificent for a few moments until early-stage hypothermia set in, at which point Chip suggested that we go down to his apartment and have tea. Aha, here's the chivalry that was wanting earlier... maybe? Actually I was never for an instant deluded into thinking that this invitation was motivated by chivalry, but a steaming cup of tea sounded heavenly and potentially life-saving at that point and I was willing to loosen my morals for it, so I accepted and we descended the stairs to his apartment and he put the key in the door and turned it and...

"... Oh, by the way, I should tell you: I live with a Russian family, and they'll probably be in the living room watching TV, but we can hang out in my room and have the tea there." Oh okay, I see how it is. At that point I could have extricated myself from the situation... but I was all the way in the Cronx! And it was fricking cold! And, getting more to the heart of matters-- I had wandered in the desert for a very long time when I lived in Schmindiana, being a generally focused and ambitious type with high standards, but recently I had mostly given up on being focused or ambitious, and I had also given up on my stringency of mate selection, instead adopting a personal credo of "lower your standards, double your pleasure" (copyright Me, 2012-13)... so now Chip stowed my leftovers in the refrigerator and steered me past the Russians to a small room that contained a cello, a cello stool, a computer desk, and a futon. I assumed he might be territorial about the stool, so I took the only other available seating option, which happened to be, you know, the bed. Chip opened iTunes and pulled up Glenn Gould's recording of The Art of Fugue (mood music? actually yes, if you're me) and then he sat down next to me, and I started to take off my boots and he decided to help me out and...

... a logical progression of events ensued. A good taut linear goal-directed narrative was underway IF YOU KNOW WHAT I MEAN. Then, suddenly, the expository tension slackened, as it sometimes does. Chip rolled away and swore under his breath and I jumped into reassuring mode-- "don't sweat it! ... just met each other... happens to everyone, no worries... we could actually have tea and talk a little..." but he had stood up in his socks with a look of determination in his eyes. "This just happens sometimes," he said, "and I think I just need to play my cello for a little while. It always works." "...oh! Okay, yeah, do whatever feels comfortable..." and I watched as he strode over to the stool, still in just his socks, and he picked up the bow and he sat down and opened his knees to accommodate the instrument, and I tried not to giggle because I was suddenly imagining this situation as a scene from a PG-13 movie, and how cinematically convenient that the cello hid the "naughty bits" from view, and ... "What's your favorite Bach cello suite?" he asked. "I'll play it." Bach in the Buff!! I was ecstatic. Who knew, maybe something about the tightly stretched bow-hairs the soundboard vibrations across the thighs would restore potency.  I requested the G Major cello suite, and Chip obliged me with some really exquisite playing, and then he informed me that the G Major was not enough of a technical challenge for his purposes and he was going to move onto the more virtuosic D Major, and I thought to myself that there was some bizarre psychosexual stuff going on here and that he could possibly benefit from an analyst, but at the same time I was pleasantly surprised that I was listening to a spontaneous cello recital from a former child prodigy, and all of this whilst wrapped in his sheet, on his futon, in his little cell of a room that he rented from a Russian family in the Cronx...

To make a long story short, Chip knew himself well, and the one good performance served as the catalyst for the other. In the aftermath, he made good on his promise of hot tea; we sat trying not to dribble it onto the futon while we compared our conservatory educations and tried to figure out who we knew in common in the musical world. He lit some incense sticks. I was starting to warm up to him. And then: "Well, I need to meditate for an hour, so it's probably time for you to head out." "What!" I spat, incensed (ha). "No. No. Look, come on, man, it's the middle of the night, and I'm a female, and we're in the Cronx and I don't know the neighborhood, and it's forty degrees below zero, and this?" I motioned to the two of us, "this doesn't really mean anything, doesn't have to mean anything at all, so don't worry, but come ON, just let me pass out for a few hours here. I promise not to disturb your 'routine.'"  "Oh," he said, as though everything "oh, okay, that could work. Sure, I guess you can try to go to sleep. I'll go meditate in the bathroom. But I might wake you up when I do my squats in the morning." "That is A-Okay," I said, cackling, and wished him luck on his lavatory meditation session, and rolled over to catch some sleep.

I slipped out early the next day to circumvent the whole morning squattage business, and took a 1-Train Ride of Shame back into Schmanhattan, and that was almost the end of it, Chip and I. But then, a few days later, my phone buzzed with a text from him: "Your veggie burger is still here." I told him that I was going out of town for a bit, and that really should have been all. But the next week, when I was at my parents' house in California for the holidays, the cell buzzed again with a missive from Chip. I was curled up in the bed of my childhood, thoroughly regressed, pillow over my head at 11:15 AM, and I reached out lackadaisically for the phone on the nightstand to read: "So, um, I regret to inform you that I may have eaten your veggie burger. It was a pretty good source of protein. Still want to stop by for some... tea?" I snorted, half-conscious, and almost texted him back to demand that he reimburse me in exact change for the portion of the veggie burger that he had consumed (tip included) but instead I deleted his number-- the ultimate obliteration via gadget, with this thumb I thee nix-- and I rubbed the sleep out of my eyes and rolled out of bed and padded down the hallway and into the kitchen to wrangle with my father's espresso machine, luxury of luxuries...

 III. Tebow

Tebow was French, chain-smoking, and gorgeous; I should point out that his real name sounded exactly like "Tebow"-- a homonym!-- although that was the only trait that he shared with Tim Tebow the kneeling Jesussy all-American virginal quarterback. The Tebow of my narrative, by contrast, was Euro and Jewish and was definitely not saving himself for Jesus. Anyway-- we connected after I had taken a leave of absence from the internet dating life to participate in actual life. But I was reeled back in by an email notification that I had a message in my HokaySchmoopid inbox, so I clicked through to the site to find that some rando (not Tebow) had written "happy anniversary, babe!!!!!" with no signature or additional qualifiers. Ok, right, that's why I don't spend so much time on here anymore. Just to prove to myself that I wasn't missing anything, I starting clicking through profiles using the "quickmatch" feature-- an algorithm where you can refresh, refresh, refresh and be presented with an unending smorgasbord of possibilities. Nope, no thanks, pass, no way, eh, HELL no, on and on I clicked, ruthless in my snap judgments and probably giving myself the beginnings of carpal tunnel syndrome, wow, there's nobody out there, just a slew of fedora-sporting guitar-dilletanting Crooklynites who all look the same and -- hold up. Oh DAMN, he's fine.

My first impression of Tebow, or of his digital analog, was that he looked like an exceedingly attractive male version of me-- the same dark wavy hair, greenish eyes, aquiline nose, except he was, like, a 9.7 whereas I'm a mere-mortal 7.9 (this numerical score is 100% accurate and objective: it was assigned to me in undergrad by my dear friend Squab [we played the Rating Game when we were taking practice breaks]-- actually, he had deemed me to be an 8, but I adjusted for inflation because he was being nice and was really thinking 7 or 7.5, but since then I've dropped some weight and expanded my sartorial repertoire and gutsily chopped off my hair, so my score has probably crept up a bit to a solid C+). Anyway, Tebow and I had a slight family resemblance, and THEY SAY that we're attracted to what we know. A cursory scan of his profile revealed that he was French, a cartoonist, literate, acerbic... and also really, really ridiculously good looking. How shallow of me, but I was having a moment of insecurity and I suddenly wanted to bag a hot guy, an incontestably hot, Armani-model type guy, because if I did it would obviously undo the various emotional wounds inflicted on me in the past by less-perfect specimens of masculinity (hey you and your pancake ass, you and your hairy potbelly, what gave you the gumption to kick me to the curb, to slow-fade, to stop texting, to choose someone else over me?! Well, sucks to be you, because I'm about to LEVEL UP.)

So I wrote to Tebow. We engaged in a brief banter about French Canadian dialects and how funky they sounded to our refined ears (he was Parisian originally, and I had learned standard French). Then he surprised me by saying, "long shot, but are you free tonight?" Cutting to the chase! I was available (of course) so we made plans to meet at a speakeasy downtown-- God I loved the internet at that moment, magic kingdom where you could just order up a speakeasy date with a fantasy Euro hottie as you would Seamless a vegetable vindaloo with a side of naan.

As it turned out, we were denied access to the speakeasy-- apparently you needed to book your reservations way in advance, like, during the actual Prohibition era, so we were out of luck-- and so we wandered in circles around the Least Village for a while. Tebow immediately set to razzing me about being a PhD student, saying with mock deference that he felt terribly inadequate in the presence of somebody so over-educated. "Also, it's my firm belief that we shouldn't pronounce 'PhD' as an acronym, as three separate letters," he said. "Let's pronounce it as written, like the sound of a sneeze: phdddd! pphhhhddDDDdddd!" I laughed and we proceeded to perform a call-and-response of phlegmy sneeze-sounds based on the abbreviation for 'Doctor of Philosophy.' "You know," I said when we had exhausted the sound-effects schtick, "my roommate is a doctoral student too, so our wireless network at home is actually called PhDizzles." "That's funny," said Tebow, not missing a beat, "my wireless at home is called Drop-a-Dizzle." I snorted. "Drop-a-Dizzle? Really? Like a ghetto riff on 'drop a deuce?' I love it. That's crazy that we would both have the 'dizzle' morpheme in our network names!" "No, NO," he replied, "I said 'Dropout-Dizzle.' Dropout, not 'drop a.' It was supposed to be a joke, like, I'm a dropout and you're the grad student. What are you going on about deuces for? Get your mind out of the gutter, woman!"

We sniggered for awhile at the colossal miscommunication that had just occurred, and then wandered into some generic passable bar. Robin Thicke's "Blurred Lines," ubiquitous summer soundtrack, played in the background (or WAS it really Robin Thicke? Had stealthy Niall at last begun to infiltrate the music biz on our side of the Atlantic?) The genericism hardly mattered, though, because Tebow and I were hitting it off and never stopped talking for long enough to really take stock of our surroundings. He taught me how to speak with a grotesquely exaggerated Quebecois accent. We theorized about the end of Breaking Bad. Our dialog was all very snappy and rom-com worthy. I was having fun! This was easy, effortless: for once, you couldn't hear the grinding gears of incompatibility in our exchange. Look at me now, oh if I could but go back in time and tell my nunnish desert-wandering Schmindiana self that times of plenty were on the way!

Eventually we decided that a change of venue was in order. Tebow suggested a Belgian bar a few blocks away where "they actually shush you! The bartender is like a librarian, shuts it down if things get too rowdy. And it's called 'Palais Belch.'" "Oh!" I said, "is that like a pun on Palais Belge? Belgian castle? Except 'belch' because the beers will make you do exactly that?" "I can only assume," said Tebow, and we headed off to this belchy Belgian establishment that promised only good things. We ordered raspberry lambic beers, which threw me into a fit of nostalgia because Framboise was the beer that finally sold me on beer, five years ago in Bruges when I was traveling alone and I had been pick-pocketed at Gare du Nord in Paris ("fucking Gare du Nord, of COURSE" said Tebow) but didn't realize it until I turned up in Bruges penniless, and a kind stranger pulled me a pint of Framboise on the house and I didn't really like beer at the time, but I accepted the generosity and wait, this shiz was delicious! like ripe red raspberry soda with just a hint of maltiness underneath. And thereafter I conditioned myself to crave that malty note sans fruit...

In the middle of telling this story to Tebow, I released a colossal burp-- it had been brewing for awhile, and really, what was a more appropriate place to let one rip than the Palais Belch? Three things happened on account of my seismic disturbance: 1) the bartender shushed me violently, looking murderous, 2) Tebow spat out his beer and shouted, "That was disgusting! And impressive! And... truly... disgusting," and 3) a man sitting near us walked over, shook my hand, told Tebow that I was a keeper, and declared that the next two rounds were on him. And that's the story of how it came to be two 'o clock in the morning and how I came to be a lot drunker than was the original plan.

At this point, Tebow and I had moved on to talking about our educations, and it emerged that we had both studied Ancient Greek in high school. I flipped out over this discovery-- I had never found anyone in my age group who would admit to having spent time on something so arcane, so utterly useless but so cool-- and I launched into a maudlin reminiscence of my Greeking days, how we were a little group of students that met at lunchtime under the tutelage of Mr. Sturch (his real name!), a tweedy white-haired Oxfordian who had been raised to the level of archetype in our hero-worshiping teenaged eyes, and Mr. Sturch would sometimes bring us green olives or stuffed grape leaves as we quaked in fear that our feeble translations would be met with derision, and there was this one time that I snapped my pencil in half by accident and I started giggling uncontrollably, and Mr. Sturch stood up and strode over to the chalkboard and wrote out a phrase in Greek and made me translate it on the spot, and it was torturous but I finally produced an English version of the phrase-- "small things amuse small minds"-- and OUCH, one hundred points to Mr. Sturch, such a roast! and...

As I talked, Tebow had been writing something on a cocktail napkin. He slid it over to me: the writing was in the Greek alphabet, but the words were English (transliterated). I sounded out his phrase: "This is.. how....  I passed... secret notes... to my fr-- my friends in... class. Ha! No way, we used to do that too. Greek letters for English words." "We were so much more creative before texting," he sighed. I agreed. We passed the napkin back and forth and practiced writing each other's names in the Greek alphabet, then moved onto nearby objects ("glass," "beer," "napkin") and then he asked me, "hmmmm, how would you make a 'w'? There's no Greek equivalent." "True," I said. "What about a diphthong? Two vowels? Ooh-ah? Wah? Upsilon-alpha?" "I'll dip your thong," he said rakishly, and wrote something out on the napkin and handed it back to me to read." I... wah-- I want to---"

"-- You don't want to read this one out loud!!" he cut in, and just in time, because the remainder of the sentence detailed exactly what he wanted to do to me, and the bartender would not have been pleased to hear it. I won't repeat it here, either. Suffice it to say that now it was my turn to spit out my beer in shock. I had just been propositioned, very lewdly propositioned, but in the Greek alphabet, which was kind of amazing, so how could I refuse? It was the perfect Alana-trap... Tebow took advantage of my moral-dilemma pause-face and leaned in to kiss me, a kiss that meant business, but also a kiss that missed the mark-- "this charger is incompatible with this device"-- and it sent a pang through me as I suddenly flashed on the pancake-assed, the hairy-potbellied men of yore, missing them, rush of regrets-- WHY? why now? Jesus, Alana Murphy, keep your head in the game, this guy is almost comically good looking, don't just throw it all away...

... Tebow took my hand and we left the bar; I was a little unsteady on my feet. "So, I have an idea," he said, kissing me and then lighting up a cigarette. "It's 2:30 in the morning. You live way far uptown, I live way out in Spleens, trains are gonna take for-fucking-ever at this time of night. BUT there's this famous seedy hotel exactly... one block away from here, and, well, I've always wanted an excuse to go, just to say that I did, so...?" "You're insane!" I said, "that's so impulsive and insane! I've never-- I don't even--" "Babe, I am impulsive and insane. I have Bipolar Disorder! It runs in my family. My parents are notorious swingers. I'm in a pretty manic phase right now. I won't be as much fun in a few weeks." Ohhhh. Suddenly the whole night made more sense, Tebow's mercurial quickness and volubility, his guileless and flamboyant seduction act. It even partially explained to me why the kiss felt "off" somehow, empty-- he was on an artificial, unsustainable high borne of imbalanced brain chemistry, and thus our personal chemistry was likewise artificial and unsustainable; I must have sensed this somehow. 

"Oh no, now you think I'm really crazy," he said, still puffing his cigarette. "Nevermind. You should go home. I'm sorry. This was a great time." Okay, I had an out. But... but... the Greek letters spelling out a dirty desire-- genius-- and it was just so, so late, and my apartment was forever-away, and my younger dry-spell work-sequestered Schmindiana self looked on and said, "seriously, you're not going to act on this after the stunning lack of opportunity that you suffered for years and years?" and my even younger high-school lunch-sacrificing Ancient-Greek-nerdout self said, "seriously, you're not going to have a sordid Schmanhattan affair with a Frenchman in a flophouse in the Village?" The Ghosts of Alanas Past made a convincing case. "You know what, Tebow?" I said. "Okay. Okay! We can do this. Yolo, as the kids say these days. But you have to pay for our lodgings since I did not factor them into tonight's budget." "Sweet!" he exclaimed, fist-pumping the air. "Sure thing I'll pay. I'm drunk and happy. Let's do this." He picked me up and spun me around, and we skipped together across an intersection-- I was catching more of his mania with every step, forcibly sublimating whatever old sense of loss, whatever lingering bullshit, fleet-footed leaps over the abyss-- and we found the hotel of ill repute, a delectably janky and unhygienic-looking historic standby of the Least Village, and Tebow went to the desk to pay; I waited in the lobby-ish area and he came back a moment later and said, "It's cash-only, do you have fifteen dollars?" and I extracted the cash and handed it to him, actually feeling better about contributing, and he pecked me on the cheek and went to pay up and we got a room-- we "got a room!" as we used to say in middle school. My pre-teen self was cheering.
 
IV. Yeezus

So I wouldn't have met Yeezus if I hadn't started watching Game of Thrones last spring, and I wouldn't have started watching Game of Thrones last spring if I had not wanted to connect with my PhD cohort while simultaneously blowing off the exigencies of my PhD program by mainlining several seasons of an HBO show. See, everyone in the student lounge was just GoT this, GoT that, all the damn time, and I had nothing to contribute since I hadn't a working knowledge of the political climate of Westeros-- it's hard enough to stay abreast of the real-life political climate in my native country, you know? but then I realized that said real-life political climate was depressing and infuriating, and that I would much rather escape into a high-budget medieval fantasy epic with lots of hot hairy men who were wont to deliver impassioned diatribes in pan-UK dialects while hot unknown aspiring actresses cavorted around topless in the background. So I caught myself up on two seasons of intrigue and rape and incest and usurp and public execution and eyebrow-raising Orientalism and stock supernatural entities and so forth, and once I was au courant, I began to watch the freshly syndicated episodes with my friends in Crooklyn every Sunday.

Clearly I had to alter my HokaySchmoopid profile-- long-untouched-- to account for this new facet of my existence. So under the "favorite books/ music/ TV shows" module, I added in a throwaway sentence about my recent Game of Thronesian bandwagon-jumping-onto, stating that I sometimes had trouble following the plot of the show because all of the dirty bearded Anglo men looked exactly the same and I had trouble telling one character from another due to a possible facial recognition disorder on my part, but I still enjoyed the programme very much because it reminded me of The Lord of the Rings mashed up with Showgirls, that fabulously awful '90s cult classic about Vegas strippers in which the dialogue clunks, the fur flies, and the boobs are out more often than they are in.

A day after I had made this profile revision, Yeezus wrote to me: "I offer myself as a humble servant to help you in the art of distinguishing between the many dirty bearded white males of Westeros, being something of an expert in this demographic myself since I hail from the kingdom of Crooklyn." Clever! Clever and sharp. Color me impressed. I racketed the ball back into his court with some similarly snappy response. Then a few days passed where I didn't hear from him, and I was just about to get all faux-indignant that he had "offered himself" without having any intention of following through, that he was just another bullshitting liar-man... kidding, kidding, I actually forgot about Yeezus entirely until he made me an offer that I couldn't refuse. "Hi again, Alana," he wrote. "By a twist of fate, I am in possession of an extra ticket to Showgirls: The Musical for tomorrow night, and it's yours if you so desire. Let me know."

OH I SO DESIRED. I wasn't even aware that Showgirls had been musical-ized, but what a brilliant idea! Was the stage adaptation a intended as a "serious" homage to the original film, or was it a deliberate parody? I didn't care: the production was destined to be hilarious regardless of intentionality. I looked up the website for the show, and the header had a tagline: Music. Dancing. Tits. Well, that sealed the deal. What more could you ask for in a piece of entertainment?

Yeezus and I met at the nightclub where the performance was happening. There was a two-drink minimum for seated patrons-- good, I thought, even if the date is a bust overall, I will be having a grand tipsy time for the duration of the musical-- so we commanded beverages for the table. I studied Yeezus with his long biblical hair and beard, his larger frame, his languid pleasant energy, and we bandied about a few preliminary topics: he had been a theology major (looking the part) but now had dreams of opening a high-concept fusion-Philly Cheesesteak food-truck in Crooklyn. I told him that Cheesesteaks were probably integral to some religion somewhere in the world so he wasn't completely abandoning his undergraduate interests, and before I could talk myself into too much of a hole, the lights went down and it was time for Showgirls. Showtime for Showgirls, fo sho!

It did not disappoint: the production was booby, campy, at once an homage and a satire, and, of course, exhibiting an insane level of acting/ vocal/ dancing/ comedic talent in its cast because this was Schmanhattan with its bajillion performing-arts aspirants who would claw one another to death for a break, even if the break was a topless chorus-girl stint in the Showgirls musical. (I wonder if any of the self-same aspirants will appear in a Game of Thrones brothel scene next season?) Anyway, I had a thoroughly good time, especially when the performance took on a Rocky Horror feel with the audience joining in on some choice moments (these people must have been real Showgirls devotees: they seemed to have internalized the screenplay from a young age and could now recite stretches of it in en masse whenever the actors called for a breaking-of-the-fourth wall).

Yeezus and I left the nightclub punchily, marveling to each other at how the creators of the musical had painstakingly incorporated every movie scene into their rendition-- "very true to the source material," we both agreed. "I love it!" I gushed, jumping in place and making jazz hands as the two of us waited to cross an intersection. "I love this kind of thing, the camp and the garishness and the gratuitous boobage that becomes so gratuitous that it ceases to be erotic in any way, it almost has this performativity that's like drag, so exaggerated... see, Yeezus, I'm not attracted to boobs but I do love an over-the-top tasteless profligacy of them. Basically I'm a queeny gay man trapped in a woman's body."

At this my companion did the very last thing that I expected: he took my shoulders and caught me in a passionate kiss, tonguey, protracted, slightly aggressive... "Oh, uh,  wow!" I said when we came apart, the two of us still standing on the street corner. "So soon! ... what prompted that?" He looked at me with intense throbbing eyes."You said that you're a gay man inside. Gay men are always deeply attracted to me. It's something that I project." Huh. Had he somehow interpreted my flippant gender-bendy quip as a come-on, as a take-me-now? Was he acting out a homosexual fantasy that he had heretofore repressed due to religious reasons, but that I could now partially fulfill as a sanctioned anatomical female possessed of a certain inner "fruitiness"? Would he need to close his eyes and imagine me as a man to function properly? Was this his equivalent of playing the cello for an hour?

Yeezus read my furrowed expression and said, "Oh, I've freaked you out. Sorry if I came on a little strong. I'm kind of, uh, getting out of a relationship and finding my footing. My ex, she was this manic-pixie type, you know? and our first date was skinny-dipping in the fountains of Lincoln Center" (me: "you WHAT?! how??") "and then, long story short, I ended up going to a friend's wedding in Vermont one weekend and my girlfriend was there, unrelatedly, as a wedding guest, and she was, um, with her fiance that she had neglected to tell me about." I smacked my forehead. "Jesus, Yeezus! That's terrible. I'm sorry, people can be real shits, and they don't even deserve to be in any relationship at all let alone multiple ones at the same time, at yet they often are, they're out there hogging all of the good people because of their very shit-ness. Well, listen. I had a fun time tonight. The Showgirls musical one-ups a Lincoln Center nude bath for a first date, anyway. Hey, you know, it was lucky that you just happened to have the extra ticket this week, and that you happened to find the online dating profile of the only girl in Schmanhattan who likes Showgirls and who was available tonight."

"Well, um, full disclosure," said Yeezus. "So I had the ticket, and it turned out that none of my friends from theological seminary wanted to go"-- I feigned shock-- "and that's when I logged on to HokaySchmoopid and entered 'showgirls' as a search term. And your profile came up in the search results, and you seemed pretty cool, so..." "Wait, why would my profile come-- OH! because I made the edit about Game of Thrones and how I'm a recent convert and I'm into the series because it's totally like Showgirls, medieval fantasy epic version. And then that sentence would have turned up in a keyword search-- haHA-- and you must have typed in the search term like immediately after I had made the profile alteration... WHAT ARE THE ODDS." My mind was reeling, and gleefully: the search engine feature of an online dating website had garnered me a free ticket to an X-Rated musical with an ex-theologian Philly Cheesesteak entrepreneur who probably needed to sort out his sexual preferences, and all because I wrote a smartass tangential description of Game of Thrones on the spur of the moment...

We had come to a subway station, a natural juncture where imminent decisions needed to be made about the next phase of the evening. However, I think that Yeezus and I were both feeling strangely de-eroticized from all of the campy excess, the paradoxical unsexiness of a show about strippers; also the swoopy street-corner kiss incident still sat between us and not in a comfortable way. So we had one of those merciful moments of mutual well, actually, early morning tomorrow, shouldn't stay out too late, but this was GREAT, get home safe! and then I was on the train uptown, visions of aureoles dancing in my head as I still puzzled over the vagaries of cyber-communication, its fluky channels and mysterious thoroughfares such that a person can cast the smallest inquiry into the Void-- e.g. the word "showgirls"-- and the filament of inquiry brings in returns! its sticky end attaches to a mesh of data points that are a rough representation of a living being, and from there the gadgetry back-and-forth can undergo an alchemical transformation into flesh-and-blood experience-- e.g. Yeezus inspecting my tonsils on a street corner. And while Yeezus and I may have reached the end of our road that night, I thrummed with a strange optimism, a keen awareness of infinite connectivity-- little dendrites everywhere, tireless relayers of signifiers, causing and effecting... and if I could be summoned by a search-term-- just hit "enter" to conjure me, your tapping fingers have a date with destiny-- what then was the charmed combinatoriality of letters, the Google incantation, the magic word that would lead me to you? I would keep trying, a monkey at a typewriter.

Monday, September 2, 2013

Eternal Recurrence of the Schmoozical Peoples' Shindig

SO-- last fall, Pablo came to Schmanhattan on a whim (he had attended the Schmanhattan School of Schmoozick back in the day, although we had met in graduate school at Bleep U [and he also claims that we attended the same Southern California arts camp when we were twelve years old, although I don't recollect this, probably because I was too busy making crank calls from the dorm pay-phone with a foul-minded red-headed piano prodigy named Carter Cartel-- we delighted in dialing up titillating seven-digit combinations like 1-800-PENISES or 1-800-LESBIAN or much, much worse-- and Pablo was in the meantime probably practicing the piano and going to the swimming pool like a respectable future ambassador of the arts, so we may have never formally crossed paths that summer]).

Anyway, I was delighted that Pablo had decided to drop in on The City just for the helluvit. I showed up to meet him and JL at a diner near Carnegie Hall, a place that he had some sort of sentimental attachment to from his undergrad era. I didn't know the joint myself, but the very fact that we three former Bleep U piano-folk--who had already had some TIMES together-- were staging a reunion at this venue lent a preemptive "construction of nostalgia" to this otherwise-generic greasy-spoon establishment... it was soon to be in the lexicon of our collective experience! Oh YOU GUYS, remember the time at the diner?

Conversation soon turned to "what are you reading?" -- we had a bit of a book-club thing going on.--and I was forced to admit that I had been working my way through David Mitchell's Cloud Atlas on the subway recently because I had seen the trailer for the upcoming cinematic adaptation directed by the Watchowski brothers of Matrix celebrity (wait, one of them has now opted to become a Watchowski sister, right?) and it looked kind of intriguing, so I had picked up a copy of the novel BUT it was one of those garish flimsy movie-edition covers and I was SOOOO embarrassed to be seen reading this cheaply pandering paperback in public (even if the prose itself was decently literary) because then people were going to think that I was only reading the book because a movie was coming out, like a consumer, like a sheep-- which was exactly the truth, but I didn't want the general populace to know that! I dug the offending edition out of my bag to show to the table, hanging my head in shame.

"So, uh, what's it about?" asked JL with trademark supercilious skepticism. "Ohhhh, it's complicated," I said. "There are, like, six different storylines set at different points in history, or in the future... one of them is about a colonial maritime expedition in the South Seas, one is about a composer around the turn of the century, and one is a murder mystery from the '70s, then one is set in the present day in a nursing home... then there's a dystopia one set in Korea, and then the last story is this post-apocalyptic. Each story embodies a different literary genre; it's pretty clever. But the characters are all connected in some way-- like, the archetypes are the same in each story. And also, the future people have heard of the past people, so they make references to their forebears. I guess it's supposed to be about 'eternal recurrence' or whatever-- all of the themes and character types keep playing out over and over again. That's kind of the Big Theme of the book, as far as I can tell. So the thing about the movie is that the same actors have different roles in each interwoven storyline. I think Halle Berry plays a man in one of them!... no, that can't be right, all the CGI in the world couldn't efface her luscious melons in order to, like, project a convincingly masculine physique! ... No, wait, I think Tom Hanks plays a woman in on of the storylines. That's what it is. Hey, we should totally see the movie together! Don't you guys want to see Tom Hanks as a woman?"

Two sets of furrowed brows across the table, a swift and efficient division of the bill, and then we walked outside talking of other things. The leaves were yellow in Central Park so we adjourned there, stepped into the perimeter of this site where innumerable faceless-forgotten interactions had occurred but now we were co-opting the space for personal use; it was just another stage upon which to play out the dynamics of our pre-established triumvirate-- "Remember that time in the park, in the fall, us three?"

***

I never finished Cloud Atlas (nor did I shell out for the movie)-- the tawdry paperback ended up in that sad accumulated pile of Things That I Never Saw Through To Completion (also there: my Performer Diploma Degree from Bleep U, the Well-Tempered Clavier, the sprawling feminist sci-fi novel that I had started to draft in tenth grade, and, possibly to be joining the pile, my Ph.D. in Schmoozicology if I don't get my act together soon!) Despite not sticking it out with Mr. Mitchell's oeuvre until the bitter end, I did absorb the concept of Eternal Recurrence and started to notice it on micro-levels everywhere.

The first such example cropped up when I decided to host the rare Schmanhattan house party in December. I set out a few favorite Alana-snacks (hummus! olives! chocolate-covered espresso beans, awww yeah), improvised some whiskey cider to simmer on the stove, and awaited my guests. Peter was the first to show. A former flautist, he had been my across-the-hall neighbor at Snackwell Parish during the Bleep U days; after the ol' B.U. had effectively killed our ambitions of becoming professional musicians, we had both landed in this alien urban environment to strike out on new paths. Other guests started to percolate in-- a rag-tag bunch, some of them former Bleep U folk, some of them PUNY-ites, some of them friends-of-friends whom I had never met but whom I welcomed with open arms as long as they came bearing bottles. A pleasant buzz developed in the room, people chilling on the couch, people milling in the kitchen, people plinking out Chopin nocturnes on my janky little upright, and everywhere much conversation of "do you know so-and-so? did you go to X-festival/ institute/ conference?" and quickly it became apparent that no more than two degrees of separation existed between everybody in the room.

"I want to diagram the web of people in here! Everyone is connected, man," I said to Peter as we canoodled on the couch as only a sweet flitty gay flautist and a high-functioning-but-perpetually-jilted female can canoodle. Peter surveyed the scene and observed that it all ran deeper than mutual acquaintance-ship. "This party actually feels like one of your Snackwell gatherings," he said. "It's weird. Like, the actual apartment is different and most of the people are different, but the energy is really familiar because it's still your place, and the people here all kind of feel like stand-ins for other people who we used to know." "You're right!" I said. "It's total deja-vu. Except the people aren't even stand-ins, really. Maybe they're, like, reboots! Manifestations of types! And since I'm a type, I would draw the same spectrum of types to my sphere time and again... right? Or it could be that it's just the Schmoozic peeps together again, and this will always happen..." I took a long contemplative sip of boozy cider.

Peter cocked his head. "You know, this especially reminds me of the one Christmas party you had at Snackwell, remember? with the mulled wine." "Hey now, that was a NON-DENOMINATIONAL winter gathering to boost morale!" I rebutted, and then we were off reminiscing about that particular event-- how it had started off innocently enough, all gingerbread and steaming china mugs, but then it devolved into madness once the composers showed up and started doing shots in the kitchen, and I, a little sloppy-sentimental, starting going on about how I had never been the It Girl, the one to whom the cool kids flocked, but now a crowd of self-styledly "hip" individuals was using MY domicile as a locus for the poundage of tequila shots, so CLEARLY I had made it, I had transcended my awkward outsidery youth at last to be surrounded by belligerent drunkies! And as I rhapsodized appallingly, Felix-- at the time all baby-faced and underaged and not-holding-well-of-his-liquor-that-I-should-not-even-have-supplied-him-with-but-oh-well-I-delight-in-corrupting-the-young-- little Felix somehow managed to literally somersault from the couch onto the carpeted floor with a crackening thud that jolted the entire teeming apartment to attention for the splittest of seconds. (Felix was okay, only minor brain damages and a deep well of shame to live down until he came of age).

Back to the Schmanhattan shindig with Peter et al-- it did not reach the hysterical proportions of the Snackwell days and thank God for that, yet there was an unmistakable sense of familiarity hanging over the whole affair. "Good call, Peter," I said, "it's Snackwell recapitulated."

The very next night, JL came to visit, and on our agenda was the crashing of a Toolyard party-- well, technically I had a connection to the festivities, but I was by no means in the "inner circle," so the whole business felt vaguely illicit. The event was billed as a four-story funhouse with standup comedy, billiards, a jazz lounge, a speakeasy... mostly I was just curious to rub shoulders with the musical hotshots of tomorrow, so JL and I trekked across Upper Schmanhattan to the hoppin' spot, which turned out to be what I am certain is the only townhouse in all of Poshington Blights. It had a stunningly collegiate vibe and seemed utterly disjunct from its 'hoody environs. We stepped inside only to be informed that the jello shots were all gone-- that's BULLSHIT! I cried-- and the "jazz lounge" turned out to be just somebody's bedroom with an electric keyboard in it, and the whole place was swarming with young hotties of which neither JL nor I recognized a single individual, and they formed impenetrable rings of young hotness everywhere we turned, and the two of us eyed each other with mild panic. Eventually we took refuge in the space under the spiral staircase, a serviceable hidey-hole from which we could observe the proceedings without seeming like such a pair of wounded gazelles.

"I thought this was going to be more of a... you know, civilized networking opportunity?" JL said to me. "Ah man," I said, "I'm sorry. This appears to be more of a Dionysian mating ritual the likes of which we have, um, outgrown. Mostly. But doesn't the scene feel oddly... familiar?" I continued, thinking aloud as I took in the geometry of the first floor. "You know, I would never guess that we're in Schmanhattan right now. This place is straight-up Shroomingtonian. Big-Ten Small-Town feeling. The house is even laid out just like some of those cruddy boarding-houses right near the School of Schmoozic. Remember? And the little fenced-in backyard... can't you just see 'The Fuzz' showing up to bust the young 'uns and then there's some mass exodus through the back door with a bunch of scared-shitless kids hurtling over the fence and running in every direction?" JL humored me. He was my captive audience under the stairs as I started to think back across many years of Bleep U Bacchanaliae. ... "and there was this ONE party, it was in a house just like this, hosted by brass players, I think, and it was a Halloween party and I went with Peter the flautist-- you knew him, right?-- and he was dressed as Marilyn Monroe and I was a sexy librarian, glasses, bun, red lipstick, unbuttoned white blouse, the whole nine yards, but AS IT TURNED OUT that was kind of a dumb decision because at this point in time I was already a graduate student, and of course who did I run into but a group of inebriated male students that I had T.A.'ed for in Ear Training. They went nuts over my attire, or lack thereof. One of them was like, 'You were my T.A! But NOW I can see your bra!' and another one was like, 'I would have come to class more often and paid WAY more attention if you had dressed like this on a daily basis.' And I was halfway-flattered, because who doesn't secretly want to be the object of some student-teacher office-hours fantasy? but then I was PISSED too because I was like WHAT? my vivacious classroom presence and rapier wit alone were not enough to keep you engaged? And you couldn't discern that I was biologically female and not unattractive, even if I didn't put the goodies on full display?... ANYWAY, this Toolyard party feels like a reboot of that Halloween event somehow. Except, like, a dream version where all of the faces are switched around and we don't know anybody..."

We stayed under the stairs for awhile and played a birdwatching game with the gaggles of Toolyard students who kept migrating through the room-- what are the distinguishing field-marks of the Brasshole? (Popped collar, long-ranging body odor...) And is that a flock of Soprani that I spy, all baubles and gesticulations? The excessive facial hair on that guy coupled with the bloodshot eyes leads me to believe that what we have here is a Double Bass Player, scientific name Excerpticus practissimus subspecies potheadicus maximus ... At that point, the stand-up comedy portion of the evening began, and the comedienne ushered in her set with a rape joke. JL and I exchanged a "time to bounce" look, and I assured him that there was a pub across the street from my apartment at which we could attain a moderate buzz in an acceptable adult manner, because clearly we had outgrown this scene even as we recognized certain aspects of it from our past misbehaviors, recurrent and abhorrent...

***

Returning now to Pablo. So Pablo now lives in Schlock Sangellis when he is not randomly gracing Schmanhattan with his presence, and since I am related to a bunch of SoCal-ians who expect semi-annual visits, Pablo and I have managed to sustain a truly bicoastal friendship. We have become close post-Bleep U-- he possesses a quality of all-seeingness and I possess a quality of, um, all-sayingness, and these two qualities combine efficiently so as to get at the core of things, i.e. there are not a lot of superficial pleasantries exchanged when we get together, just a lot of cogent aesthetic and sociological observations, exploration of DEEP TRUTHS (or so we would like to think, we wishful-iconoclasts, we false prophets).

In early July I was in Schlock Sangellis, and Pablo drove to pick me up outside of my grandparents' apartment complex. (Sidebar: the Kardashians also grew up in this apartment complex-- talk about brushes with greatness!) "Heyyyyyyy Poblano," I cooed, kissing him on the cheek. "Alanushka! Wonderful to see you." "Likewise, and THANKS for coming to get me. You know, I love my grandfolks so, SO much, but just a second ago my grandmother was literally instructing me on how to cross the street-- I mean, I thought she was being tongue-in-cheek because I had been teasing her earlier today for being the epitome of the Jewish matriarch who worries herself sick over minutiae that never would have occurred to your average Joe, but NO, then she started telling me that I have to remember to look both ways before stepping into an intersection, preferably twice, and I was like, hoo boy, she is not kidding, she is honest-to-God explaining to me how to cross the street, which is adorable BUT I kind of need to interact with my own peer group for a little while now and re-establish my competency as an adult human..." Pablo gave an indulgent smile. "Well, good thing we are hitting up this composer party, then... you'll feel young and hip amidst the musical intelligentsia... do you have Pan-Pan's number? Let's text him for directions while we're at dinner."

Ah, Pan-Pan. This guy requires a bit of exposition and some traveling back in time (can you HANDLE it? my narrative structure is giving Cloud Atlas some stiff competition on the chronological convolutedness front). So Pablo and I had met Pan-Pan, a composer and a medical student, about two years prior when I had hosted a small Thanksgiving gathering at Snackwell Parish. Pan-Pan was not a Bleep U person but was visiting Shang, an old friend of his who was at the time our "colleague" in pianistic grad-studentdom, and so both of these gentlemen secured a place at my dinner table that night. They came bearing a twelve-pack of Miller Lite. (My sister, who had helped me cook the Thanksgiving feast, had gone into full-blown hostess panic-mode that we didn't have appetizers, a tureen of soup, napkin rings, etcetera, but I had assured her that my guests, though "classy" in their respective ways, were just super- stoked to get a free meal and would not notice anything amiss-- like, they would not pitch a fit if we failed to supply them with vegan-prosciutto-wrapped hunks of melon on toothpicks or some shit. "See?" I asserted to the sister as Shang and Pan-Pan sauntered in with their twelve-pack of piss-swill,"lower your standards." [As the evening progressed we ran out of drinking glasses and so I grabbed some measuring cups and beakers to use as impromptu beer-vessels, thus further elevating the proceedings]).

So I had not known Pan-Pan beforehand, but I liked him immediately-- he was voluble and observant, yet his running commentary (heavily accented) seemed to stem from book-learnin', from pop psychology tomes that he had imbibed as a substitute for real experience. This became especially evident when he started lecturing the engaged couple at the table on the "five love languages," providing the pair with a veritable blueprint for their decades of married life to come... however, Pan-Pan managed to append to the discourse that, though a relationship guru, he himself had not yet had the fortune to taste of Love firsthand, having been profoundly unlucky in matters of the heart. Aw, I thought, a kind-of-kindred-spirit, a dreamer, a non-alpha and I sidled up to him to banter more about the baffling intricacies of human relations. At the end of the night,  he offered his appraisal of me: "You know, Alana, you are like, you are like one of these girls who is not showy, flashy, but you can hook all the guys by being a skillful at conversing, very good at the talk and listen." "I'll take it!" I said, "I mean, conversational know-how is low on the totem pole in terms of attracting a mate, I know, and, like, I more often draw people in on the basis of my badonkadonk that is somewhat proportionally large to the rest of my small-boned white-girl physique [I gestured to the legendary 'donk] and THEN that's when I force them to listen to me talk, but..."

And so on and so forth. Pan-Pan and I stayed in sporadic touch after that evening, having connected in an oddball way, having ascertained a mutual level of kookdom. At some point Pan-Pan landed in Schlock Sangellis to do doctoral work. At some point after this, I also landed in Schlock Sangellis to visit family, and this takes us to July, two nights before Pablo and I attempted to find the composer party.

My phone buzzed with a text; it was Pan-Pan. "A virtuoso pianist has come to Schlock Sangellis. Wow." I texted back to him that my chops were a little rusty these days but Hi! how are you? Meet soon? ... and before I knew it, Pan-Pan was pulling up to the Former Kardashian Komplex to take me somewhere for dinner. "Pan-Pan, is this a ZipCar?" I asked, surveying the wheels. "Yes," he replied, "I don't have a car but I a-had to pick you up like a smooth guy. So I arrange this for you on short notice." "Oh Jesus, you didn't have to do that! We could have just met some other time and I could have bummed a ride to somewhere more convenient to you, really... oh well, you already have the car, might as well be ridin' dirty..." Mahler's Das Lied von der Erde pulsed on the speakers. "Wow, you're a Mahler person?" I said, after listening for a minute. "Cool!" "Ah no," he replied, "but I know you like him because on Facebook you post about him..." "Oh Pan-Pan, come on, you can listen to whatever you want!" I said, smacking him on the arm.

We had Japanese dinner-- Pan-Pan insisted on footing the bill despite my protestations, my stuttering attempts to steer the evening away from the Date Zone-- and he engaged in one last heavy-handed flirtation with the waitress before we wandered off in search of dessert... the shaved-ice emporium had closed, so we hit up a bubble tea shop. Again Pan-Pan swooped in and paid for me before I could stop him-- "okay, FINE, but you at least have to have some of my boba if you insist on treating me"-- and we started walking back in the direction of the ZipCar. The power lines above us crackled dangerously-- "wow, listen to that humming," I said, and stopped for a second, at which point Pan-Pan stepped closer to me. "Electricity," he whispered. And then, "Pass me a boba."

"Sure." I handed him the portable plastic cup of almond bubble tea. He took a long sip with the straw. Then, several events happened in quick succession: he put his arm around me, leaned in, pressed his lips to mine, and then in probed the tongue, but there was something unnaturally slimy about the organ and it took me a split second to process that he had not only put his tongue in my mouth, but he had also slipped me the tapioca pearl that he had sucked in from the bubble tea-- a covert operation, a transfer of resources invisible to the outside eye! The unexpectedness of it all, the invasiveness, the sudden excess of saliva and tongue-muscle and tapioca slime in my private little mouth-chamber-- I acted on instinct, an instinct that was to splutter, spit out the foreign body onto the pavement, and immediately dissolve into hysterical laughter. "I'm sorry, Pan-Pan, haha.. oh, I'm sorry," I gasped, "but, um, we're taking things a little fast here and... ohhhh that was special, I did not see that coming, hahahaHAHA...ohhhh.... wow..." He didn't seem too perturbed by my reaction. "I got the idea from a commercial for Dorito," he explained, "but boba is even better for sharing!"

We were back at the car, and the "future" of the evening-- the question of continuation-- hung in the air so thickly that I had to cut through it on the spot. "Okay buddy," I said as Pan-Pan put the key in the ignition, "I think I should go back to my grandparents' place now... but hey, this was really nice tonight. And... memorable. And don't take anything the wrong way.... it's just that-- I'm only here for four days, and I live on the East Coast, and I'm a little bit of a mess, and you, um, you really deserve to get involved with someone who you can have a future with!... and--" He tried to kiss me again; I obliged but kept the tonguing business firmly out of the equation this time, because who knew what slippery surprises lurked there?! I was still gun-shy from the transfer-of-boba.

"Oh, you are so good a girl to have a conversation," he said upon disengaging from my face. "I would definitely chase you if we live in the same city." "Well hey, Pan-Pan," I said, squeezing his shoulder, "that's the way the cookie crumbles... but look, are you and your composer friends still having that party? I can probably come. I'll bring Pablo. We'll stop by, I promise." At this point the Pimped Out Ride the Zipcar had arrived at Kasa Kardashian my grandparents' apartment complex, and we said goodnight.

***

These events and others I related to Pablo two nights later over dinner-- he had taken me to a cafe called Leaves Of Grass that he claimed was a West-Coast iteration of The Crunchible Spoon, this a funky haunt near Bleep U that attracted a range of patrons depending on the time of day (these were: honking smudge-eyed sorority girls at brunch, aspiring literati during the afternoon hours, and in the evening a bizarre countercultural homeless population would congregate-- I remember their ringleader, a tall man with a long yellowing beard, who always seemed to be shilling some new homeopathic elixir to his rapt disciples ["It's a Life Enhancer, the stuff in this vial; it will alter your electromagnetic output, it will reverse the horrors that the pharmaceutical industry has wreaked on your body..."] The conversations that I overheard there led me to create a mini-blog-series called "Tales from the Spoon" back when I had a different blog that was even more embarrassing and in even more dubious taste than this one).

Anyway, Pablo was right that this Leaves Of Grass place had a whiff of the Crunchible about it, albeit cleaned up (and see, this is why I love Pablo-- he understands the recurrence thing too about people and places-- essences that stay the , old wine in new bottles). I sat mopping up my Huevos Rancheros while Pablo howled with laughter over the Pan-Pan boba-swap story... "Hey, don't be malicious about it!" I admonished. "Yeah, it's a ridiculous thing to do, but I kind of admire that he went for it, takes a special degree of chutzpa..." "Now I'm looking forward even more to going to his party," said Pablo with a twisted smile. He glanced down at his phone. "Shit! My phone is about to die. Alanuschka, remember this address: 340 Cloverdale Boulevard. I guess it's his friend's apartment where people are getting together." I made up a ridiculous mnemonic device and we set off in search of the shindig.

After a few wrong turns, dead ends, blind alleyways, we pulled up in front of what seemed to be the correct apartment building (there was a cab parked in front, next to which a stilettoed broad was kneeling and dry-heaving on the pavement while the Pakistani cab-driver appeared to be wiping down the upholstery of his appeared-to-have-already-been-puked-in car-- "this is a sign," said Pablo, "that we're in the right place!") But then. But then! We hit a snag. "Pablo," I said, "what was the apartment number again?" "Hmmmm... I don't think he gave me one." "Well, there are maybe, like, seventy apartments here? And we don't know the name of the friend whose party this is, right?" Negative. I tried to call Pan-Pan-- "He never picks up!" said Pablo, "he doesn't take calls. He only makes them. Original Gangster." "... Well, maybe he'll take a call from me, the bubble-tea dream-girl," I said with a little shimmy, and dialed, but-- straight to voicemail. DENIED!

"What now?" I said. Rows and rows of intercom buttons swum before our eyes, each emblazoned with the surname of a stranger. "Should we ring every person? Knock on every door? 'Hey, we're looking for a composer by the name of... I don't know, it's some guy, are you him?' Nah, not gonna work." We were so close yet so far, barred from Elysium by our ignorance of one crucial detail... I started to feel dejected, as though this were a metaphor for my whole life, standing just outside the threshold of where all the people were having so much fun and I had not gotten the secret password that would grant me entrance into the Kingdom of Fun and here I was looking at the empty eye sockets of windows and.... "OSTROVSKY!" Pablo exclaimed. I was yanked out of my existential spiral. "Eh? Come again?"

"OSTROVSKY!" said Pablo again, pointing to one of the intercom buttons. "I know exactly who that is! Vladimir Ostrovsky. Vlad. He's a violinist. It must be his apartment that the party is at. He went to the Schmanhattan School with me back in the day-- was a real pimp back, always wore gold chains, he ran some kind of website where hot musician chicks could get some extra exposure, if you know what I mean, but a nice guy... " "And he lives in Schlock Sangellis now?" I asked with a raised eyebrow. "I have no idea," said Pablo, "but it has to be him! Of course it would be him!" "Ummm, Pablo," I said, "we're in a large metropolitan area, and while 'Ostrovsky' is, like, not a common last name by our personal standards, I'm sure there's more than one of them out there in this very diverse and densely populated , and besides, we're looking for a composer, not a violin player, and you haven't seen this guy in four years and don't know what he's up to and--" Pablo had already pressed the button.

"Chello?" said a deep male voice. "Hi," said Pablo, "hi. Is this Vlad?" "Yes, who is thees?" (I smacked Pablo on the arm in disbelief, mouth agape). "Hey! Vlad. Hi. You wouldn't believe this, but it's Pablo. Pablo Gerstner, the pianist, from Schmanhattan School. Do you remember me?" "Pablo! No way, man! How are you? Hey, I'm in a club right now. How did you get my number?" "Wait, we're in front of YOUR apartment, Vlad-- how are you in a club but talking to us through the intercom?" "Hokay, I see-- the intercom is hooked up to my cell so I hear from veesitors even when I'm out. So what are you doing at my building?" "Well, actually, we're wondering if you know a composer who lives in the building too. We're looking for a party but didn't have the apartment number." "Oh, you mean Julio? Julio is my roommate. You know him too. He mentioned having people over tonight." "Wait, JULIO? Julio Arroyo? NO. WAY!" Pablo turned to me. "Julio went to Schmanhattan School too and he's a composer. Must be him that's hosting the party. We used to be good friends but I haven't seen him in years, he went to Toolyard... it's so insane that we would all end up in the same Schlock Sangellis apartment together just by chance, all because Pan-Pan, who we met at your Thanksgiving in Schmindiana two years ago, tried to tongue you a tapioca ball and you weren't into it but you wanted to let him down easy and agreed to come to his party... this kind of thing only happens when we're together, Alanuschka." "I KNOW!" I gushed, "our powers COMBINE and we, like, unite the musical world. We fortify the network. WE. CONNECT. THE. DOTS."

"So, Vlad," said Pablo, turning back to the intercom, "should we just buzz Julio to let us in?" "Oh shit, mahn, his buzzer is broken and I don't have hees phone number. But yah our apartment is 9G, just wait for somebody with a key to come through the main front door and zehn you can follow in and take up our elevator. I'll be back in a leetle while." "Okay great, see you soon! I can't believe this!"

Pablo and I waited on the sidewalk, marveling over the smallness of the universe and congratulating ourselves on clearly being Important People, convergence points, liaise-ers of once-disparate socio-musical circles-- "Now I may never amount to much as a pianist or as an academic," I intoned, index finger pointed at the sky, "but by God, I will have known everyone, partied with everyone, and possibly have made out with everyone who is important or marginally important in the up-and-coming classical schmoozic scene, so that's gotta count for something!" At that point a older yarmulke'd gentlemen put his key in the front door; he cast a scornful glance at us good-for-nothing loiterers but allowed Pablo and me to follow him into the foyer. We had breached the walls, we had captured the castle!

An elevator ride up to the ninth floor, a ring of a bell, and then we were greeted by a lanky Latino-- the elusive Julio, composer, thrower of shindigs -- who gave Pablo a hearty embrace and expressed astonishment that an old chum from schmoozic school in noughties New York had turned up unannounced at his door. I introduced myself and we made our entrance.

Now, neither Pablo nor I had ever been in this particular apartment before, of course, and neither did we know the majority of the people in the room (save Pan-Pan, who blew me a kiss from the couch before returning to an intimate discussion with a pretty honey-tressed girl) but that deep familiarity, that deja-vu, that "ah, here we are again" feeling washed over the both of us and we looked at one another in amazement: here was, somehow, the same scenario playing itself out, the same energies crackling in the air, the same types milling about... it was a music party; we were among friends. Soon the "do you know so-and-so from such-and-such" game began amongst the guests, and the smallness of the musical universe re-asserted itself as the coincidences abounded (Example 1: Julio had gone to Toolyard [Hooliyard!] and knew the guy who had organized the bizarre, teeming, borderline-fratty event at which JL and I had awkwardly sequestered ourselves under the stairs last December. Example Deux: Vlad-from-the-intercom finally made a flesh-and-blood [and ghetto-gold-chained] appearance and proceeded to tell us that, prior to clubbing that night, he had played an orchestra gig with a young hotshot pianist who had performed the Tchaikovsky concerto, and said young hotshot pianist just happened to be the guy who lives one floor below me in Schmanhattan... again, I asked myself if I was really at the center of the action to know all of these individuals, or was I a wannabe, a fringe-folk, a draw-er of connections and believer in kismet when we were all really just random bodies colliding in an indifferent void..?!!)

Julio and Vlad whipped out their violins and started a friendly battle-of-the-bows. Meanwhile I tried to speak to Pan-Pan but he seemed to have discovered a new muse and was immune to my charms. "Look at how interchangeable we women-folk are," I snorted to Pablo in mock-bitterness, gesturing to Pan-Pan and Honey Hair. To which Pablo replied, "Aw damn, looks like you missed your shot." We slipped out onto the balcony. "Nice view," I said. "Yeah," said Pablo, "different from Schmanhattan, right?" "Well, yeah," I said, thinking, "but it's so weird, I feel like we could be anywhere. Snackwell Parish in Shroomington. My apartment back in the city. Some janky student 'flat' in Europe. Just any place where Our Kind congregate... we, like, create the space, time and again" "I know," he said. "Eternal recurrence! Cloud Atlas. Did you finish the book?" "No, of course not. But wait, aren't these things supposed to recur over generations, over millennia, not within the space of a few years? Are we just having deja-vu?" "No no, the things are recurring through us from Time Immemorial and that's why they seem familiar, we're just the latest vessels for the eternal truths..." "Hell YEAH I'm an eternal truth!..."

... and on and on, silly soft theories that we bandied about with half-rolled eyes, but see, when you are a musician and you spend so much time by yourself in a little room trying to pin down the ephemeral,  and you are a godless heathen, you have no organized religion (save the trinity of Bach-Mozart-Beethoven and all the disciples, apostles, affiliates) but still you are driven to find order in chaos, and so you all permit yourselves to see the divine in the mundanely coincidental, to create imagined communities, to comfort yourselves with the daffy speculation that all over the world there are secret security bubbles to which you have access-- it's a schmoozical Illuminati, an insider's game from generation to generation, all you need to do sidle up to the intercom that calls out to you, speak "friend," and enter...